OUTLAND [1981 / 2012] [Blu-ray] [USA Release] This Science-Fiction Delivers The Goods! On Jupiter’s Moon He’s The Only Law!

Set on Jupiter's moon Io, Jupiter’s innermost moon, hosts a mining colony CON-AM 27, a high-tech hellhole. There a veteran Marshal William T. O'Niel [Sean Connery] probes some mysterious deaths of miners. In pursuit of the truth, he is alone. ‘OUTLAND’ is a 1981 British science fiction thriller film written and directed by Peter Hyams [‘Timecop’ and ‘2010’] depicts a chilling extension of today’s corporation-driven world. Dehumanization is vividly evoked in Philips Harrison’s striking production design of Academy Award® winner John Stears special effects. The spellbinding result is “a movie of unexpected pleasures” (Vincent Canby, The New York Times).

FILM FACT No.1: Awards and Nominations: 1982 Academy Awards®: Nominated: Best Sound for John Wilkinson, Robert Thirlwell, Robert W. Glass Jr. and Robin Gregory. 1982 Academy of Science Fiction, Fantasy & Horror Films, USA: Win: Saturn Award for Best Supporting Actress for Frances Sternhagen. Nominated: Saturn Award for Best Science Fiction Film. Nominated: Saturn Award for Best Actor for Sean Connery, Nominated: Saturn Award for Best Writing for Peter Hyams. Nominated: Saturn Award for Best Music for Jerry Goldsmith. Nominated: Saturn Award for Best Special Effects for John Stears. 1982 Hugo Awards: Nominated: Best Dramatic Presentation for Peter Hyams (written by/director).

FILM FACT No.2: ‘OUTLAND’ is set on Jupiter's moon Io, it has been described as a space Western,[3] and bears thematic resemblances to the 1952 film ‘High Noon.’ ‘OUTLAND’ was the first motion picture to use Introvision, a variation on front projection that allows foreground, mid-ground and background elements to be combined in-camera, as opposed to using optical processes such as blue screen matting. This enabled characters to convincingly walk around miniature sets of the mining colony. Director Peter Hyams hired cinematographer Stephen Goldblatt. The film was nominated for the Academy Award® for Best Sound for John Wilkinson, Robert W. Glass, Jr., Robert Thirlwell and Robin Gregory. ‘OUTLAND’ was filmed at Pinewood Studios, Iver Heath, Buckinghamshire, UK, with an estimated budget of $16,000,000.

Cast: Sean Connery, Peter Boyle, Frances Sternhagen, James B. Sikking, Kika Markham, Clarke Peters, Steven Berkoff, John  Ratzenberger, Nicholas Barnes, Manning Redwood, Pat Starr, Hal Galili, Angus MacInnes, Stuart Milligan, Eugene Lipinski, Norman Chancer, Ron Travis, Anni Domingo, Bill Bailey, Chris Williams, Marc Boyle, Richard Hammatt, James Berwick, Gary Olsen, Isabelle Lucas, Sharon Duce, P.H. Moriarty, Angelique Rockas, Jude Alderson, Rayner Bourton, Doug Robinson, Julia Depyer, Nina Francoise, Brendan Hughes, Philip Johnston, Norri Morgan, John Cannon (uncredited), Tony Clarkin (uncredited), Steve Meek (uncredited) and Maurice Roëves (uncredited)

Director: Peter Hyams

Producers: Charles Orme, Richard A. Roth and Stanley O'Toole

Screenplay: Peter Hyams

Composer: Jerry Goldsmith

Cinematography: Stephen Goldblatt, A.S.C., B.S.C. (Director of Photography)

Image Resolution: 1080p

Aspect Ratio: 2.40:1

Audio: English: 5.1 DTS-HD Master Audio
French: 2.0 Dolby Digital Stereo Audio
German: 2.0 Dolby Digital Stereo Audio
Italian: 2.0 Dolby Digital Stereo Audio
Spanish [Castilian]: 2.0 Dolby Digital Stereo Audio
Spanish [Latin]: 1.0 Dolby Digital Mono Audio
English: 2.0 Dolby Digital Stereo Audio

Subtitles: English SDH, French, Spanish, Japanese, German SDH, Danish, Dutch, Finnish, Italian SDH, Norwegian and Swedish

Running Time: 112 minutes

Region: All Regions

Number of discs: 1

Studio: Warner Home Video

Andrew’s Blu-ray Review: 'OUTLAND' [1981] wasn't the first film to shift elements of the western to a sci-fi environment, and it certainly won't be the last, but it's still a relatively unique combination, one that makes for a wonderfully entertaining motion picture that might otherwise be thought of as a generic crime thriller. In fact, it could be argued that the marriage of the two genres essentially masks a rather simple plot that could just as easily take place on modern-day Earth. But the subtlety and restraint shown by British writer/director Peter Hyams when merging the two vastly different styles manages to elevate the story into something fresh and terrifically engaging. Aspects of either genre serve only as backdrop or narrative device for telling this crime drama that serves as a clever indictment of corporate conspiracy and greed which devalues the lives of the working class.

Set on Jupiter's moon Io, Jupiter’s innermost moon, set in the far distant future, the merger of the two genres is immediately apparent but never brought to the forefront. Instead, it's an understated framework inside a remote mining outpost functioning on Io, one of Jupiter's many moons, and order is kept by a small band of peacekeepers, led by Federal Marshal O'Niel [Sean Connery]. It's one of the reasons I find the film so brilliant and still highly enjoyable. Peter Hyams isn't constantly reminding his audience of what he's doing beyond the initial opening with the explanatory title cards. Yet, there's a rustic Wild West appeal to the overall film, thanks in part to the stage design and the cinematography of Stephen Goldblatt.

Story-wise, Peter Hyams doesn't shy away from stock characterization, such as Sean Connery epitomizing the rugged town sheriff. As the bringer of justice and social order to the seemingly chaotic frontier of space, Federal Marshal O'Niel stumbles upon a conspiracy to hide several unsolved deaths of miners. There isn't a whole lot for the Scottish actor to do other than act the determined and deeply committed lawman, but what he does he does exceptionally well, being a hard-nosed peacekeeper that won't back down in a fight. Peter Hyams does give the character a bit of depth as a married family man on the brink of losing what he cherishes the most because he believes so strongly that what he is doing the right thing to do. And as with everything else, Sean Connery shines in these moments, carrying the thought of his wife and son heading back to Earth without him in his eyes and powering his will to fight.

Helping the Federal Marshal discover a secret drug-ring operating within the colony is the feisty, contentious town Dr. Lazarus, played delightfully by Frances Sternhagen and is the perfect as the spirited foil, almost comic-relief, to Sean Connery's stern temperament, coming to his cause at just the right moment when the man needs the assistance the most. Her involvement in the cover-up is somewhat of a mystery because she doesn't perform autopsies of the dead, though it does become fairly clear when the Sergeant Montone  [James B. Sikking], replacing the customary trusty deputy, turns out to be paid a hefty sum to look the other way. While two dealers appear to do most of the footwork, the man at the centre of it all is none other than Mark B. Sheppard [Peter Boyle] the head-honcho and ruthless greedy landholder of the mining.

Peter Hyams makes that little piece of information pretty obvious early on. Discovering who's behind this large-scale crime is not really the point. In fact, it's used within the narrative as a means of generating tension and suspense because we know who the cause of the rampant drug use is, hiding the deaths of innocent workers in order to keep profits rising. As Federal Marshal O'Niel follows the clues and gathers the evidence to prove his suspicion, those involved will do anything to defend the flow of money, driving the plot toward a spectacular 'High Noon' showdown. Filled with a cold mechanical atmosphere and the ethereal music of by award winning Jerry Goldsmith, Peter Hyams's 'OUTLAND' is wildly entertaining sci-fi western warning of a corporate future where our greatest enemy remains the monetary greed plaguing our society?

One very interesting fact I have found out, is a comment by Peter Hyams and reads like so: I wanted to do a Western. Everybody said, “You can’t do a Western; Westerns are dead; nobody will do a Western.” I remember thinking it was weird that this genre that had endured for so long was just gone. But then I woke up and came to the conclusion and obviously after other people and that it was actually alive and well, but in outer space. I wanted to make a film about the frontier. Not the wonder of it or the glamour of it: I wanted to do something about Dodge City and how hard life was. I wrote it, and by great fortune Sean Connery wanted to do it. And how many chances do you get to work with Sean Connery?

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Blu-ray Image Quality – Warner Home Video presents this Blu-ray disc with near perfect 1080p image and appears to be in pretty good shape, because ‘OUTLAND’ looks great on Blu-ray and of course with the 2.40:1 aspect ratio helps to enhance this blockbuster sci-fi film, and also matches the best we've seen from other films of the same period, but this high-definition gives a gritty realism transfer is a vast improvement nonetheless over the terrible and inferior DVD release. But ‘OUTLAND’ is presented in the aspect ratio, which is closer to its original aspect ratio and much preferred to previous inferior DVD letterboxed release, and unfortunately comes with the expected blurry sequences due to its age, but the image is surprisingly sharp and distinct for the most part of the film. Viewers can make out every wrinkle on Mr. Sean Connery's face, and the smallest details of the mining outpost are plainly visible. Contrast is comfortably bright with clean, crisp whites, giving the picture a renewed, cinematic appeal. Colours are not particularly upbeat, which is deliberate to the cinematography, but they accurately rendered and consistent from beginning to end. The more problematic issues come from the wavering black levels, looking deep and intense one minute and murky the next. Exterior shots are excellent with rich contrast between light and dark, but several interior scenes can appear washed out, ruining some of the finer details in the shadows and making the natural film grain seem a bit noisy. It's not to the film's detriment, however, as the overall presentation looks great on this high-definition Blu-ray disc, a significant upgrade from the previous inferior and ghastly inferior DVD release.

Blu-ray Audio Quality – The sound design for 'OUTLAND' was a bit of a pioneer, with a soundtrack that is essentially an early form of today's 5.1 surround system. Without any way of actually confirming this DTS-HD Master Audio soundtrack derives from the original 70mm 6-track magnetic print on which it was recorded, this Blu-ray presentation appears to be faithful to the intentions of filmmakers. The design doesn't do much with the available back speakers, but Peter Hyams' sci-fi Western makes excellent use of the stereo sound field, which I'm assuming was always the intention of the new technology. Channel separation is well-balanced with flawless movement that perfectly matches the action. Off-screen effects broaden the soundstage with imaging that's convincing, and the excellent directionality nicely generates a persuasive sense of space. The excellent and brilliant Jerry Goldsmith's ethereally jarring musical score takes greater advantage of the soundscape by bleeding into the rears and immersing the listener. Vocals are plainly audible and well-prioritized while dynamic range remains wide and cleanly rendered. One of the best features of this early surround mix is the boosted low-frequency effects, which come off surprisingly hearty and accurate with excellent response for a 1981 sci-fi film, making this generally a very great listen.

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Blu-ray Special Features and Extras:

Audio Commentary with Peter Hyams: British Writer/Director Peter Hyams revisits his cult sci-fi western and shares many informative anecdotes about the  production. Peter Hyams spends a good chunk of his time talking about Sean Connery, the legendary actor's presence on set and getting to work with him as filming progressed. There are also several great comments on the story's themes, the photography, set design and the overall look he was aiming to achieve. Peter Hyams notes at one point that he hasn't seen the movie in a long time and, in general, that he doesn't like to watch his films once they're completed. Nevertheless, his memory of a 30-year-old shoot is vivid and detailed, and his stories are often terrific and told with gusto. The tale of Sean Connery's early demand to see dailies is a high point. Along the way, Peter Hyams drops valuable insights about the lighting, casting, and the use of widescreen framing and how an actor of Sean Connery's calibre can bring a scene to life just by the expression on his face. The audio commentary with director Peter Hyams may be the only new extra supplied with the Blu-ray, but it's one of the most entertaining I've heard in a very long time. All in all, Peter Hyams is able to offer a generally pleasing audio commentary track, speaking with a great deal of pride over his work and the finished product.

Theatrical Trailer [1981] [1080i] [1.78:1] [2:54] This is the Original Theatrical Trailer for the sci-fi film ‘OUTLAND,’ where they inform you that “The ultimate enemy is still man."

Finally, written and directed by Peter Hyams, 'OUTLAND' is a sci-fi western starring Sean Connery as a deeply committed lawman, the cult film remains a wildly entertaining flick with a spectacular ‘High Noon’ showdown. The Blu-ray arrives with a great audio and video presentation that greatly improves upon previous home video releases, but sadly, comes with only one exclusive supplement. Fans will surely want to pick this up just for the joy of seeing Sean Connery shoot bad guys with a shotgun...in space. For me, ‘OUTLAND’ remains sadly a very underrated, underappreciated film and it is worth appreciating it now as it was then when it was originally released in 1981. Technically the disc is one of the better catalogue titles Warner has put out recently, and the commentary track does great justice for fans of this brilliant shoot-em up film regardless of their age. If you are new to this film and fans of science fiction, you owe it to yourself to take a look for yourself; as I firmly believe you will wind up enjoying it now and for many years down the road and that is why it has gone pride of place in my Blu-ray Collection, especially with the ever star presence of Sean Connery, who is now sadly missed. Very Highly Recommended!

Andrew C. Miller – Your Ultimate No.1 Film Aficionado 
Le Cinema Paradiso 
United Kingdom

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