T E N E T [2020] [Blu-ray] [UK Release] A Protagonist journeys through a Twilight world of International espionage!
ARMED WITH ONE WORD – T E N E T – and fighting for the survival of the entire world, the Protagonist journeys through a twilight world of international espionage on a mission that will unfold in something beyond real time.
FILM FACT No.1: Awards and Nominations: 2020 Chicago Film Critics Association Awards: Nominated: Best Original Score for Ludwig Göransson. Nominated: Best Use of Visual Effects. Nominated: Best Editing for Jennifer Lame. 2020 Chinese American Film Festival: Win: Golden Angel Award for Most Popular U.S. Film in China for Christopher Nolan. 2020 Florida Film Critics Circle Awards: Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Visual Effects for Andrew Jackson. Nominated: Best Score for Ludwig Göransson. 2020 Hochi Film Awards: Win: Best Foreign Language Film for Christopher Nolan. 2020 IGN Summer Movie Awards: Win: IGN Award for Best Sci-Fi/Fantasy Movie. Win: IGN People's Choice Award for Best Movie. 2020 Indiana Film Journalists Association Awards, USA: Win: Best Musical Score for Ludwig Göransson. 2020 Indiewire Critics' Poll Awards: Nominated: Best Cinematography Hoyte Van Hoytema. 2020 Nikkan Sports Film Awards: Nominated: Best Foreign Film for Christopher Nolan. 2020 People's Choice Awards, USA: Nominated: Favorite Action Movie Star for John David Washington. Nominated: Favorite Action Movie. 2020 Sunset Film Circle Awards: Win: Best Score for Ludwig Göransson. Nominated: Best Cinematography for Hoyte Van Hoytema. 2021 Golden Globes: Nominated: Best Original Score for a Motion Picture for Ludwig Göransson. 2021 Alliance of Women Film Journalists: Win: EDA Special Mention Award for Most Egregious Age Difference Between the Leading Man and the Love Interest for Elizabeth Debicki and Kenneth Branagh. 2021 Allywood Film Critics Association Awards: Win: Golden Elm Award for Top Ten Foreign Language Film. 2021 Black Film Critics Circle Awards: Win: Best Cinematography for Hoyte Van Hoytema. 2021 Broadcast Film Critics Association Awards: Nominated: Critics Choice Award for Best Visual Effects. Nominated: Critics Choice Award for Best Cinematography for Hoyte Van Hoytema. Nominated: Critics Choice Award for Best Production Design for Kathy Lucas and Nathan Crowley. Nominated: Critics Choice Award for Best Editing for Jennifer Lame. Nominated: Critics Choice Award for Best Score for Ludwig Göransson. 2021 Chicago Indie Critics Awards: Nominated: Best Editing for Jennifer Lame. Nominated: Best Original Score for Ludwig Göransson. Nominated: Best Visual Effects for Andrew Jackson and Scott R. Fisher. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Production Design for Nathan Crowley. 2021 CinEuphoria Awards: Nominated: Best Editing for an International Competition for Jennifer Lame. Nominated: Best Original Music for an International Competition for Ludwig Göransson. Nominated: Best Sound/Sound Efects for an International Competition. Nominated: Best Special Effects (Sound or Visual) for an International Competition for Andrew Jackson. Nominated: Best Sequence for an International Competition. Nominated: Best Trailer for an International Competition. 2021 Columbus Film Critics Association: Nominated: Best Cinematography for Hoyte Van Hoytema. 2021 Critics Choice Super Awards: Nominated: Best Action Movie. Nominated: Best Actor in an Action Movie for John David Washington. 2021 Denver Film Critics Society Awards: Nominated: Best Science-Fiction/Horror Film. Nominated: Best Visual Effects. Nominated: Best Original Score for Ludwig Göransson. 2021 DiscussingFilm Critics Awards: Win: Jury Award for Best Film Editing for Jennifer Lame. Nominated: Jury Award for Best Motion Picture. Nominated: Jury Award for Best Cinematography for Hoyte Van Hoytema. 2021 Hawaii Film Critics Society Awards: Win: Best Cinematography for Hoyte Van Hoytema. Win: Best Visual Effects. Win: Best Stunts. Win: Best Sci-Fi Film. Nominated: Best Art Direction for Anthony D. Parrillo, Benjamin Nowicki, Erik Osusky, Jenne Lee, Justin O'Neal Miller, Rory Bruen and Steve Christensen. Nominated: Best Editing for Jennifer Lame. 2021 Hollywood Critics Association Awards: Nominated: Best Cinematography for Hoyte Van Hoytema. 2021 Houston Film Critics Society Awards: Win: Best Visual Effects. Win: Best Stunt Coordination. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Original Score for Ludwig Göransson. 2021 International Film Music Critics Awards: Nominated: Best Original Score for an Action/Adventure/Thriller Film for Ludwig Göransson. 2021 London Critics Circle Film Awards: Nominated: Technical Achievement of the Year for Jennifer Lame (film editing). 2021 Music City Film Critics' Association Awards: Win: Best Score for Ludwig Göransson. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Editing for Jennifer Lame. Nominated: Best Song for Ludwig Göransson, Travis Scott and Wonda Gurl. 2021 North Carolina Film Critics Association Awards: Win: Best Special Effects. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Music. 2021 North Dakota Film Society Awards: Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Editing for Jennifer Lame. Nominated: Best Original Score for Ludwig Göransson. 2021 North Texas Film Critics Association Awards: Win: Best Cinematography for Hoyte Van Hoytema. 2021 Oklahoma Film Critics Circle Awards: Win: Most Disappointing Film. 2021 Online Film Critics Society Awards: Win: Best Visual Effects. Nominated: Best Editing for Jennifer Lame. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Original Score for Ludwig Göransson. 2021 San Diego Film Critics Society Awards: Win: Best Visual Effects. Nominated: Best Editing for Jennifer Lame. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Production Design for Nathan Crowley. 2021 San Francisco Bay Area Film Critics Circle Awards: Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Production Design for Kathy Lucas and Nathan Crowley. Nominated: Best Film Editing for Jennifer Lame. 2021 Satellite Awards: Win: Best Visual Effects for Andrew Jackson and Scott R. Fisher. Nominated: Best Motion Picture in a Drama. Nominated: Best Original Score for Ludwig Göransson. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Sound (Editing & Mixing) for Gary A. Rizzo, Kevin O'Connell, Richard King and Willie D. Burton. 2021 Seattle Film Critics Society Awards: Win: Best Action Choreography. Win: Best Visual Effects. Nominated: Best Original Score for Ludwig Göransson. Nominated: Best Production Design for Kathy Lucas and Nathan Crowley. Nominated: Best Visual Effects for Andrew Jackson, Andrew Lockley, Mike Chambers and Scott R. Fisher. Nominated: Best Film Editing, 2021 Society of Composers and Lyricists Awards: Nominated: Outstanding Original Score for a Studio Film for Ludwig Göransson. 2021 St. Louis Film Critics Association Awards: Win: Best Action Film. Win: Best Visual Effects. Nominated: Best Score for Ludwig Göransson. 2021 Utah Film Critics Association Awards: Nominated: Best Original Score for Ludwig Göransson. Nominated: Best Film Editing for Jennifer Lame. 2021 Washington DC Area Film Critics Association Awards: Nominated: Best Production Design for Kathy Lucas and Nathan Crowley. Nominated: Best Cinematography for Hoyte Van Hoytema. Nominated: Best Editing for Jennifer Lame. Nominated: Best Original Score for Ludwig Göransson.
FILM FACT No.2: Writer and director Christopher Nolan conceived the ideas behind ‘T E N E T’ over the course of twenty years, but began working on the script in 2014. The title is a palindrome and an allusion to the Sator Square. Christopher Nolan made a conscious effort to abstain from any influence of the spy genre other than his own memory. Theoretical physicist Kip Thorne, who worked with Christopher Nolan on ‘Interstellar’ [2014], was consulted on the subjects of time and quantum physics. Special effects supervisor Scott R. Fisher watched World War II films and documentaries to find reference points for realism. Production designer Nathan Crowley requested Hamilton Watch Company to manufacture around thirty military wristwatches, each analogue with a digital countdown. Christopher Nolan and Crowley travelled to scout for locations in February and April 2019. Disappointed with the Royal Swedish Opera as a potential spot for the Kyiv Opera House, Crowley switched it to the Linnahall, which fit his affinity for Brutalist architecture. Shree Vardhan Tower was chosen instead of Antilia, as the latter had too high security; the National Liberal Club took the place of Sotheby's, whose management refused to participate; and they arrived at Cannon Hall once Thornhill Primary School in Islington and Channing School had been deemed unsatisfactory. Prop prototypes were often 3D printed. Costume designer Jeffrey Kurland and his team cut and stitched the clothing in the United States, manufacturing them for the main cast and thousands more.
Cast: Juhan Ulfsak, Jefferson Hall, Ivo Uukkivi, Andrew Howard, John David Washington, Rich Ceraulo Ko, Jonathan Camp, Wes Chatham, Sander Rebane, Martin Donovan, Clémence Poésy, Josh Stewart [Male Voice voice], Robert Pattinson, Dimple Kapadia, Denzil Smith, Jeremy Theobald, Sir Michael Caine, Tom Nolan, Elizabeth Debicki, Laurie Shepherd, Yuri Kolokolnikov, Marcel Sabat, Julia-Maria Arnolds, Jack Cutmore-Scott, Himesh Patel, Anthony Molinari, Kenneth Branagh, Adam Cropper, Tony Christian, Jan Uuspõld, Kaspar Velberg, Sergo Vares, Rain Tolk, Aaron Taylor-Johnson, Fiona Dourif, Henrik Kalmet, Sean Avery, John Orantes, Seb Carrington, Matthew Marsden, Anterro Ahonen (uncredited), Marek Angelstok (uncredited), Schezaad Ausman (uncredited), Jimmy Avila (uncredited), Nick Benseman (uncredited), Trent Buxton (uncredited), Kadrolsha Ona Carole (uncredited), Bern Collaço (uncredited), Michael Cox (uncredited), Phil DiGennaro (uncredited), Ross Donnelly (uncredited), Kenneth Wolf Andersen Haugen (uncredited), Zach Kaltenbach (uncredited), Michael Kolb (uncredited), Mark Krenik (uncredited), Konstantinos Lachanas (uncredited), Artur Lago-V (uncredited), Glenn Lawrence (uncredited), Ingrid Margus (uncredited), Lisa Marie (uncredited), Katie McCabe (uncredited), Matthew McDonald (uncredited), Arnold Montey (uncredited), Ronald Pelin (uncredited), Aleksei Podlesnov (uncredited), Evodius Rumisha (uncredited), Klaus Peeter Rüütli (uncredited), Caleb Spillyards (uncredited), Jimmy Star (uncredited), Martin Tõnumaa (uncredited), Carina Velva (uncredited), Jess Weber (uncredited) and Alex Wexo (uncredited)
Director: Christopher Nolan
Producers: Andy Thompson, Christian Ryge, Christopher Nolan p.g.a., Dileep Singh Rathore, Emma Thomas p.g.a., Ivo Felt, Marco Valerio Pugini, Per Henry Borch and Thomas Hayslip
Screenplay: Christopher Nolan
Composer: Ludwig Göransson
Cinematography: Hoyte Van Hoytema (Director of Photography)
Image Resolution: 1080p
Aspect Ratio: 1.78:1 + 2.20:1 (IMAX Sequences)
Audio: English: 5.1 DTS-HD Master Audio
English: 5.1 Audio Descriptive Service
English: 2.0 Dolby Digital Stereo Audio
Subtitles: English
Running Time: 150 minutes
Region: All Regions
Number of discs: 2
Studio: Warner Bros. Pictures / Warner Home Video
Andrew’s Blu-ray Review: ‘T E N E T’ [2020] is mind boggling astronomical in the first minutes of the film. A mysterious new technology poses a threat to all existence; there are murmurs of a Third World War. But mysteriously the new technology hasn’t been invented yet. It will be in the future, though, and the CIA has caught wind of it.
In the opening sequence of ‘T E N E T’ is beautifully executed though it is, a whole auditorium of classical-music concert goers are put at risk of being blown up by an explosive device, a fact the protagonist seems to sort of laugh off. “Only the people in the cheap seats” might get killed. Not so much sympathy there for people experiencing “collective human engagement” together.
What unfolds is, essentially, Christopher Nolan’s version of a Cold War espionage thriller, slightly non plus James Bond film, but much more of a John le Carré genre film and has given us spectacular view with the brilliant cinematographer of Hoyte van Hoytema.
It requires an uncommon commitment from the audience and unconventionally structured films that takes you along for an amazing mysterious ride that is ‘T E N E T.’
The guy who has a monopoly on this tech in the future is a Russian oligarch named Andrei Sator [Kenneth Branagh] playing the same character he played in ‘Jack Ryan: Shadow Recruit.’ To put an end to the dying Andrei Sator’s dastardly plan, which involves taking the world down with him, the Protagonist enlists the help of Andrei Sator’s estranged wife, a handler named Neil [Robert Pattinson], and the arms dealer Priya [Dimple Kapadia], in a more substantial role than you’d expect.
As always, Christopher Nolan’s images that was shot on the combination of 70 mm and IMAX film that are impossible to fault. The 747 heist sequence is, as advertised, is astonishing. And the promise of watching another impeccable action sequence is often enough to get you through some of the film’s more inscrutable moments. That being said, ‘T E N E T’ would have been infinitely more enjoyable had Christopher Nolan resisted the urge to explain the mechanics of his world at every turn.
But these moments are few and far between. Christopher Nolan’s filmmaking has often been criticised in the past for being too dispassionate, but despite how it may seem on the surface, all of his films have a beating heart at their core. Seek out ‘T E N E T,’ if only to marvel at the entertainingly inane glory of what we once had and are in danger of never having again. Well, that and the amazing suits.
T E N E T MUSIC TRACK LIST
THE PLAN (Written by Travis Scott, Wonda Gurl and Ludwig Göransson) [Performed by Travis Scott]
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Blu-ray Image Quality – Warner Bros. Pictures and Warner Home Video presents us the film ‘T E N E T’ with a cinematic mind-bender inverts time and logic on Blu-ray with an exceptional, reference-quality 1080p image and alternates between 2.20:1 and 1.78:1 aspect ratios and was shot exclusively on 65mm and IMAX cameras, the freshly-minted transfer boasts remarkable dine definition, from the fine stitching in the clothing to the edges of buildings in the distance, are extraordinarily revealing, exposing the smallest imperfections in the roofs, the discrete cracks on the walls and the tiny pockmarks along the rocks and cliff sides. Even the many action-packed visuals are a stunning spectacle with striking clarity in every nook and cranny, in all the debris and the minute details of every reverse sequence. Brightness levels are always on target, supplying every scene with inky-rich, penetrating blacks and silky shadows that maintain superb visibility in the darkest, murkiest corners. Hoyte van Hoytema's stunning cinematography is also bathed in a sumptuous array of colors and flowing in luxurious, eye-catching primaries, from the lively emerald greens of foliage to the dramatic display of crimson reds and electrifying cobalt blues in the lighting of some scenes. Secondary hues are equally impressive as they jump off the screen with captivating vividness and animation, making the amazing visuals all the more mesmerizing and gives us a near three-dimensional image quality that's consistent, with a perfect, spotless HD presentation.
Blu-ray Audio Quality – Warner Bros. Pictures and Warner Home Video brings us the film ‘T E N E T’ with one awesome 5.1 DTS-HD Master Audio extravaganza experience that erupts on the scene with a tremendously bombastic loud noise. The audio mix is likely to impress you very much and will test your system as it is to have you scrambling for the remote to quickly adjust the volume. In fact, the audio design can be very annoyingly deafening that it distracts and hinders more than it serves a benefit to the story or produce a truly rewarding audio experience. The most egregious offense is the dialogue continuously overwhelmed by the grandiose action packed sequences, which honestly, would have been forgivable if not for the many conversations that is also drowned out by the endless noise and Ludwig Göransson's film score. And this is true even during the so-called quieter, more character-driven moments, which are pointlessly at a lower volume than the rest of the film. Amazingly, the audio design maintains outstanding clarity and distinction in the higher frequencies while the mid-range is splendidly extensive and dynamic, creating what would otherwise be a terrifically engaging soundstage had the filmmakers reined in the overall volume a bit. Interestingly, in spite of this positive, there doesn't appear to be much acoustical detailing or real appreciable distinction within Ludwig Göransson's musical arrangement. On a more positive note, the surrounds are endlessly employed, enveloping the listening area with various discrete atmospherics that flawlessly pan all around. From a busy restaurant full of patrons and the crowded streets of Mumbai to the hectic chaos of a military operation and a berserk, high-speed chase in Tallinn, ambient effects are heard from every direction, generating an awesomely immersive 360° sound field that's amazingly consistent. Also, an aggressively palpable and incredibly robust low-end delivers a room-energizing presence and wall-rattling weight to every bullet, crash and explosion and will test your subwoofer's capabilities.
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Blu-ray Special Features and Extras:
Special Feature: LOOKING AT THE WORLD IN A NEW WAY: THE MAKING OF ‘T E N E T’ – With this special feature, it is divided into thirteen making-of parts, this connected group of short behind-the-scenes featurettes covers a respectable amount of ground such as the script and early development, casting, locations, special effects, large-scale set pieces, shooting 1.5M feet of 65mm film, the editing process, music and sound design, James Bond, and other pieces of the production. A wide variety of participants are on hand including director Christopher Nolan, production designer Nathan Crowley, cinematographer Hoyte van Hoytema, producer Emma Thomas, actors Kenneth Branagh, John David Washington, and Robert Pattinson, stunt coordinator George Cottle, special effects supervisor Scott Fisher, VFX supervisor Andrew Jackson, and many more. As usual, you can either watch item separately or Play All. Here is what you get to view:
The Principle of Belief [2020] [1080p] [1.78:1] [4:06] With this featurette, Christopher Nolan talks about why he wanted to make the film and the twists he wanted to bring to the spy genre. Contributors include: Christopher Nolan [Director/Writer/Producer], Emma Thomas [Producer], Nathan Crowley [Production Designer], Kenneth Branagh [Sator] and John David Washington [The Protagonist].
Mobilizing the Troupe [2020] [1080p] [1.78:1] [6:34] With this featurette, the filmmakers talk about basting and what the actors brought to their roles. Contributors include: Christopher Nolan [Director/Writer/Producer], John David Washington [The Protagonist], Emma Thomas [Producer], Robert Pattison [Neil], Thomas Hayslip [Executive Producer], Dimple Kapadia [Priya], Elizabeth Debricki [Kat] and Kenneth Branagh [Sator].
The Approach [2020] [1080p] [1.78:1] [4:40] With this featurette, the company discusses how Christopher Nolan’s philosophies and in-camera approach were applies to the challenges in this film. Contributors include: Hoyte Van Hoytema [Director of Photography], George Cottle [Stunt Coordinator], Scott Fisher [Special Effects Supervisor], Emma Thomas [Producer], Christopher Nolan [Director/Writer/Producer], John David Washington [The Protagonist] and Nilo Otero [First Assistant Director].
The Proving Window [2020] [1080p] [1.78:1] [4:45] With this featurette, we take a look at the cinematography and the unique wats they shot the movie. Contributors include: Christopher Nolan [Director/Writer/Producer], Hoyte Van Hoytema [Director of Photography], Emma Thomas [Producer], Robert Pattison [Neil], Himesh Patel [Mahir], Nilo Otero [First Assistant Director] and John David Washington [The Protagonist].
The Roadmap [2020] [1080p] [1.78:1] [5:05] With this featurette, we get to examine how the cast and crew kept track of the continuity across multiple perspectives and timelines. Contributors include: Christopher Nolan [Director/Writer/Producer], Hoyte Van Hoytema [Director of Photography], Steve Gehrke [Script Supervisor], Nilo Otero [First Assistant Director], Andrew Jackson [Visual Effects Supervisor], Scott Fisher [Special Effects Supervisor], Bodi Clare [Digital Artist Supervisor] and Thomas Hayslip [Executive Producer].
Entropy In Action [2020] [1080p] [1.78:1] [10:47] With this featurette, we get to view the breaking down the complex action in the film and stunt requirements for the actors. Contributors include: Nilo Otero [First Assistant Director], George Cottle [Stunt Coordinator], Christopher Nolan [Director/Writer/Producer], John David Washington [The Protagonist], Emma Tomas [Producer], Kenneth Branagh [Sator], Elizabeth Debricki [Kat], Robert Pattison [Neil] and Eggert Ketilsson [Supervising Art Director].
Traversing The Globe [2020] [1080p] [1.78:1] [12:27] With this featurette, we get to exploring the logistics of travelling and shooting in real locations, as well as capturing the epic marine sequences in different countries around the world. Contributors include: Emma Tomas [Producer], Christopher Nolan [Director/Writer/Producer], Aaron Taylor-Johnson [Ives], John David Washington [The Protagonist], Nilo Otero [First Assistant Director], Hoyte Van Hoytema [Director of Photography], Dimple Kapadia [Priya], Robert Pattison [Neil], Neil Andrea [Marine Coordinator], Rob Williamson [Captain of Planet-9], Kathy Lucas [Set Director], Kenneth Branagh [Sater], Elizabeth Debricki [Kat] and Rome Kirby [SAILGP Captain].
How Big a Plane? [2020] [1080p] [1.78:1] [4:47] With this featurette, we get to hear the story of the dramatic crash of the real 747 plane. Contributors include: Robert Pattison [Neil], Christopher Nolan [Director/Writer/Producer], Emma Thomas [Producer], Nilo Otero [First Assistant Director], Andrew Jackson [Visual Effects Supervisor], George Cottle [Stunt Coordinator], John David Washington [The Protagonist] and Hoyte Van Hoytema [Director of Photography].
The Dress Code [2020] [1080p] [1.78:1] [3:51] With this featurette, costume designer Jeffrey Kurland talks us through some of the iconic costumes from the film. Contributors include: Christopher Nolan [Director/Writer/Producer], Jeffrey Kurland [Costume Designer], John David Washington [The Protagonist] and Elizabeth Debricki [Kat].
Constructing the Twilight World [2020] [1080p] [1.78:1] [5:26] With this featurette, we take a look at the pratical sets designed and built by Nathan Crowley’s team and the techniques they used to enhance the scope and scale of the film. Contributors include: Christopher Nolan [Director/Writer/Producer], John David Washington [The Protagonist], Nathan Crowley [Production Designer], Hoyte Van Hoytema [Director of Photography], Nilo Otero [First Assistant Director], Emma Thomas [Producer], David Packard [Art Director] and Stephen Christensen.
The Final Battle [2020] [1080p] [1.78:1] [4:10] With this featurette, we take a look inside the epic sequence that required the cast and crew to use everything they had learned on the film to pull it off. Contributors include: Christopher Nolan [Director/Writer/Producer], Hoyte Van Hoytema [Director of Photography], Dimple Kapadia [Priya], Yari Kolokotnikov [Vokov], Nathan Crowley [Production Designer], Robert Pattison [Neil], George Cottle [Stunt Coordinator], Nilo Otero [First Assistant Director], Fiona Doufif [Wheeler] and John David Washington [The Protagonist].
Cohesion [2020] [1080p] [1.78:1] [5:37] With this featurette, Christopher Noland discusses his approach of involving the composer and editor early on in the pre-production and all the way through to the completion of the film to truly integrate them into the creative process. Contributors include: Emma Thomas [Producer], Christopher Nolan [Director/Writer/Producer], Ludwig Göransson [Swedish Composer] and John Lee [Associate Editor].
Doesn’t Us Being Here Now Means It Never Happened? [2020] [1080p] [1.78:1] [3:48] With this featurette, the cast and crew discuss the unique experience of working on the film. Contributors include: George Cottle [Stunt Coordinator], Emma Thomas [Producer], John David Washington [The Protagonist], Jennifer Lame [Editor], Christopher Nolan [Director/Writer/Producer], Nathan Crowley [Production Designer], Hoyte Van Hoytema [Director of Photography], Robert Pattison [Neil] and Kenneth Branagh [Sater].
Theatrical Trailers: With this featurette, we get to view four separate theatrical trailers for the film ‘T E N E T’ and they are as follows:
Teaser [2020] [1080p] [2.00:1] [1:12]
Trailer 2 [2020] [1080p] [2.00:1] [2:16]
Trailer 3 [2020] [1080p] [2.00:1] [3:00]
Trailer 4 [2020] [1080p] [2.00:1] [3:12]
Finally, ‘T E N E T’ [2020] All in all, I think this film is one of the biggest load of garbage I have ever had to endure with a totally boring long film and Christopher Nolan is a pompous vacuous idiot!
Andrew C. Miller – Your Ultimate No.1 Film Aficionado
Le Cinema Paradiso
United Kingdom
