THE BAND WAGON [1953 / 2015] [Blu-ray] [USA Release] The Greatest of M-G-M’s Top Technicolor Musical!
In this Vincente Minnelli's directed classic backstage story, sees Fred Astaire dazzle in musical numbers that features set numbers like in a train station "By Myself," a penny arcade "A Shine on Your Shoes," a backlot Central Park "Dancing in the Dark" and a smoky café "The Girl Hunt," with the incomparable Cyd Charisse dazzle featuring numbers set. We also get to see Fred Astaire, Nanette Fabray and Jack Buchannan play infants who “hate each other very much!” in the merry “Triplets,” and even more reason to love this movie very, very much. As well as the hallmark song which originated in ‘THE BAND WAGON’ and entitled "That's Entertainment!"
FILM FACT No.1: Awards and Nominations: 1954 Academy Awards®: Nominated: Best Writing, Story and Screenplay for Betty Comden and Adolph Green. Nominated: Best Costume Design in Color for Mary Ann Nyberg. Nominated: Best Music, Scoring of a Musical Picture for Adolph Deutsch. 1954 Writers Guild of America: Nominated: WGA Award (Screen) for Best Written American Musical for Betty Comden and Adolph Green. 1990 ASCAP Film and Television Music Awards: Win: Most Performed Feature Film Standards for Arthur Schwartz and Howard Dietz for the song "That's Entertainment." 1995 National Film Preservation Board, USA: Win: National Film Registry for the film ‘THE BAND WAGON.’
FILM FACT No.2: One musical number shot for the film, but dropped from the final release, was a seductive dance routine featuring Cyd Charisse performing "Two-Faced Woman." As with the other Cyd Charisse songs, her singing was dubbed by India Adams and the India Adams's recording of the song was reused for ‘Torch Song’ [1953] for a musical number featuring Joan Crawford. The retrospective ‘That's Entertainment! III’ [1994] released the Cyd Charisse version to the public for the first time. This footage was included with the inferior DVD release of ‘THE BAND WAGON.’ In Michael Jackson's music videos for "Smooth Criminal" and "You Rock My World", he pays tribute to the Fred Astaire film with a similar dance and bar fight sequence performed in a 1920 – 1930s style lounge. Steve Martin and Gilda Radner performed a serio-comic parody homage to the "Dancing in the Dark" dance segment on an episode of Saturday Night Live, originally broadcast on the 22nd April, 1978. In 1995, ‘THE BAND WAGON’ was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant." In 2006, this film ranked No.17 on the American Film Institute's list of best musicals.
Cast: Fred Astaire, Ava Gardner, Cyd Charisse, Oscar Levant, Nanette Fabray, Jack Buchanan, James Mitchell, Robert Gist, India Adams [Gabrielle Gerard singing voice] (uncredited), Fred Aldrich (uncredited), Richard Alexander (uncredited), Ernest Anderson (uncredited), Barbara Bailey (uncredited), Patsy Bangs (uncredited), Lysa Baugher (uncredited), Brandon Beach (uncredited), Ralph Beaumont (uncredited), Don Beddoe (uncredited), Madge Blake (uncredited), Herman Boden (uncredited), Lulu Mae Bohrman (uncredited), Paul Bradley (uncredited), Joe Brockman (uncredited), Robert Burton (uncredited), Boyd Cabeen (uncredited), James Carlisle (uncredited), Sue Casey (uncredited), Dick Cherney (uncredited), Lyle Clark (uncredited), Dorinda Clifton (uncredited), Tom Coleman (uncredited), Joan Collenette (uncredited), Jack Colton (uncredited), James Conaty (uncredited), Gene Coogan (uncredited), Henry Corden (uncredited), Pinkie Corrigan (uncredited), Oliver Cross (uncredited), Lillian Culver (uncredited), Dick D'Arcy (uncredited), Leroy Daniels [Arcade Shoeshine Man] (uncredited), Fred Datig Jr. (uncredited), Dulce Day (uncredited), Jack Deery (uncredited), Helen Dickson (uncredited), Jack Dodds (uncredited), George Economides (uncredited), Michael Economides (uncredited), Roy Engel (uncredited), Estelle Etterre (uncredited), Harry Evans (uncredited), Luigi Faccuito (uncredited), Betty Farrington (uncredited), Al Ferguson (uncredited), Gwenn Fields (uncredited), Bess Flowers (uncredited), George Ford (uncredited), Steve Forrest (uncredited), Bill Foster (uncredited), Douglas Fowley (uncredited), Wesley Gale (uncredited), Wymer Gard (uncredited), Ava Gardner (uncredited), Jack Gargan (uncredited), Rudy Germane (uncredited), James Gonzalez (uncredited), Dick Gordon (uncredited), Herschel Graham (uncredited), Marion Gray (uncredited), Shelah Hackett (uncredited), Thurston Hall (uncredited), Mary Hammond (uncredited), Dee Hartford (uncredited), Eden Hartford (uncredited), Sam Hearn (uncredited), Julie Hedin (uncredited), Al Hill (uncredited), Harlan Hoagland (uncredited), Stuart Holmes (uncredited), Jimmie Horan (uncredited), Curtis Loys Jackson Jr. (uncredited), Ted Jordan (uncredited), Colin Kenny (uncredited), Donald Kerr (uncredited), Mario Lamm (uncredited), Judy Landon (uncredited), Carl M. Leviness (uncredited), Shirley Lopez (uncredited), Leota Lorraine (uncredited), William Lundy (uncredited), John Lupton (uncredited), Wilbur Mack (uncredited), Alan Marston (uncredited), Judy Matson (uncredited), Matt Mattox (uncredited), Bert May (uncredited), Helen McAllister (uncredited), Ann McCrea (uncredited), Owen McGiveney (uncredited), Frank McLure (uncredited), Mary Menzies (uncredited), Harold Miller (uncredited), Nolie Miller (uncredited), Hans Moebus (uncredited), Lawrence Montaigne (uncredited), Ben Moselle (uncredited), Peggy Murray (uncredited), Julie Newmar (uncredited), Loulie Jean Norman (uncredited), Monty O'Grady (uncredited), Emory Parnell (uncredited), Manuel París (uncredited), Foster H. Phinney (uncredited), Paul Power (uncredited), Marilyn Radcliff (uncredited), Frank Radcliffe (uncredited), Elynne Ray (uncredited), Charles Regan (uncredited), Jack Regas (uncredited), Phil Rhodes (uncredited), Joette Robinson (uncredited), Robert Robinson (uncredited), Cecile Rogers (uncredited), Barbara Ruick (uncredited), Edith Russell (uncredited), Loretta Russell (uncredited), Dick Sands (uncredited), Frank J. Scannell (uncredited), George Sherwood (uncredited), Eddie Lou Simms (uncredited), Mabel Smaney (uncredited), Earl Spainard (uncredited), Robert Spencer (uncredited), Harry Stanton (uncredited), Bob Stebbins (uncredited), Lotte Stein (uncredited), Norman Stevans (uncredited), Bert Stevens (uncredited), Roberta Stevenson (uncredited), Jack Stoney (uncredited), Brick Sullivan (uncredited), Hal Taggart (uncredited), Jack Tesler (uncredited), Jimmy Thompson (uncredited), Dee Turnell (uncredited), Ellinor Vanderveer (uncredited), Herb Vigran (uncredited), Glen Walters (uncredited), Bobby Watson (uncredited), Crystal White (uncredited), Smoki Whitfield (uncredited), Marc Wilder (uncredited), Stuart Wilson (uncredited), Florence Wix (uncredited), Gloria Wood (uncredited) and Wilson Wood (uncredited)
Director: Vincente Minnelli
Producers: Arthur Freed, Roger Edens and Bill Ryan (uncredited)
Screenplay: Betty Comden (story), Adolph Green (story), Alan Jay Lerner (uncredited) and Norman Corwin (uncredited)
Composers: Adolph Deutsch (uncredited), Alexander Courage (uncredited) and Conrad Salinger (uncredited)
Cinematography: George J. Folsey (Director of Photography) (uncredited) and Harry Jackson (Director of Photography)
Image Resolution: 1080p (Technicolor)
Aspect Ratio: 1.37:1
Audio: English: 5.1 DTS-HD Master Audio
English: 2.0 Dolby Digital Stereo Audio
French: 1.0 Dolby Digital Mono Audio
Spanish [Castilian]: 1.0 Dolby Digital Mono Audio
Spanish [Latin]: 1.0 Dolby Digital Mono Audio
Português: 1.0 Dolby Digital Mono Audio
Subtitles: English SDH, French, Spanish [Castilian], Spanish [Latin] and Portuguese
Running Time: 112 minutes
Region: All Regions
Number of discs: 1
Studio: Metro-Goldwyn-Mayer / Warner Home Video
Andrew’s Blu-ray Review: That wonderful talent for satire which Betty Comden and Adolph Green possess and which was gleefully turned upon the movie musicals in their script for ‘Singing in the Rain’ is even more gleefully let loose upon the Metro-Goldwyn-Mayer musical ‘THE BAND WAGON’ [1953] and joined with the equally nimble talents of Fred Astaire, Jack Buchanan and Cyd Charisse and some tunes from the sterling repertory of Arthur Schwartz and Howard Dietz, this literate and witty combination herein delivers a show that respectfully bids for recognition as one of the best musical films ever made.
Song-and-dance man Tony Hunter [Fred Astaire] is caught between his fading film career and an uncertain future when his friends Lester Marton [Oscar Levant] and Lily Marton [Nanette Fabray] offer him the chance for a Broadway comeback. Their show is about a children's book author who moonlights as a writer of detective stories spirals out of control when Broadway wunderkind Jeffrey Cordova [Jack Buchanan] signs on as director and co-star. While Tony Hunter struggles with this stressful comeback vehicle that could end his career forever, he also finds himself falling in love with dancer Gabrielle Gerard [Cyd Charisse], a partnership that might sustain him for life. But first, the show must go on!
What it is, in essence, is just a very sophisticated turn on the old and completely story of people putting on a show. Tony Hunter as a washed-up movie idol, returns to Broadway and is snagged to appear in a musical written by zany Lester Marton and Lily Marton. Trouble comes when Jeffrey Cordova, as a flamboyant genius-type, decides to produce their carefree item as a modern-day version of "Faust" and Gabrielle Gerard, as the prima dancer, decides that Fred Astaire is too old. He likewise gets the notion that she is decidedly too tall. And out of this clutch of complications the magic of a Hollywood movie is evolved.
However, the whole thing is so adroitly played under director Vincente Minnelli's direction, with Jeffrey Cordova stealing the show as the demoniac director and the others playing straight to his conceits that the humours are steady and abundant, both the obvious ones and those concealed.
‘THE BAND WAGON’ represents one of the most important of the M-G-M musicals of the 1950s, indeed in the history of this Hollywood genre. In particular, ‘THE BAND WAGON’ stands as one of the masterworks to emerge from the very productive musicals unit that producer Arthur Freed controlled at M-G-M during the late 1940s and early 1950s. Arthur Freed had hundreds of stars from which to choose. He selected the great Fred Astaire, who although more famous for his RKO films with Ginger Rogers, had been at M-G-M since the early 1940s. Fred Astaire's dance partner for ‘The Band Wagon’ would be Cyd Charisse, who had been also featured in ‘Singin' in the Rain’ the year before.
In many ways, ‘THE BAND WAGON’ was the superbly executed with the director Vincente Minnelli and his love of Hollywood musicals. Where most of his other musicals ‘Meet Me in St. Louis’ [1944]; ‘An American in Paris’ [1951] and ‘Gigi’ [1958] forged new ground for the genre, this film embraced the best that could be accomplished within its limitations. More than any other backstage musical, it celebrated the accomplishments of performers at their best.
Eighteen of Arthur Schwartz and Howard Dietz tunes from their past productions were chosen for the film ‘THE BAND WAGON,’ but Arthur Freed felt something was missing and went to the songwriters for a new addition. "In the script this director, Jack Buchanan, is saying that practically anything you can do will work if it's entertaining and wanted the song “There's No Business Like Show Business” added, because Arthur Freed told the pair. Forty-five minutes later they returned with ‘THE BAND WAGON’ and its most famous number, "That's Entertainment." The whole thing is awesomely enjoyable masterworks that bring together the immense talents of Vincente Minnelli, Fred Astaire, Cyd Charisse, Michael Kidd, and not forgetting the incredible sets and costume designers at M-G-M!
But the whole point of the film ‘THE BAND WAGON’ is one which sometimes makes people underrate the film for some unknown reason, but to me everything seems to mesh so seamlessly and almost effortlessly, in fact and that was due to director Vincente Minnelli instigation, whose flair and imagination, admittedly aided by the huge array of M-G-M talent both behind and in front of the cameras, was matched by his almost perfect control. ‘THE BAND WAGON’ film is one of the greatest backstage musicals ever made, and one of the greatest movie musicals, period. It’s a wildly entertaining, and especially an inside look at the world of wonderful Hollywood musicals and of course wonderful Hollywood movies ever seen.
THE BAND WAGON MUSIC TRACK LIST
BY MYSLEF (1937) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Fred Astaire twice]
PENNY ARCADE (uncredited) (Music by Arthur Schwartz) [In the score while Tony Hunter is in the arcade]
A SHINE ON YOUR SHOE (1932) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Sung by Fred Astaire and Danced by Fred Astaire and Leroy Daniels]
NATIONAL EMBLEM (published 1906) (uncredited) (Written by Edwin Eugene Bagley) [Played by one of the arcade games]
OEDIPUS BRIDGE (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Jack Buchanan and chorus]
THAT’S ENTERTAINMENT (1953) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Jack Buchanan, Nanette Fabray, Oscar Levant and Fred Astaire. Reprised by Jack Buchanan, Nanette Fabray, Oscar Levant, Cyd Charisse (dubbed by India Adams) and Fred Astaire in the finale]
THE BEGGARS WALTZ (1931) (uncredited) (Music by Arthur Schwartz) [Danced by Cyd Charisse, James Mitchell and Corps de Ballet]
DANCING IN THE DARK (1931) (uncredited) (Music by Arthur Schwartz) [Danced by Fred Astaire and Cyd Charisse]
YOU AND THE NIGHT AND THE MUSIC (1934) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Sung by chorus] [Danced by Fred Astaire and Cyd Charisse]
THE EGG (uncredited) (Music by Arthur Schwartz) [Sung by chorus] [In the score when the show lays an egg]
SOMETHING TO REMEMBER YOU BY (1930) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by chorus]
HIGH AND LOW (1931) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by chorus]
I LOVE LOUISA (1931) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [In the score during the opening credits] [Performed by Fred Astaire, Oscar Levant, Nanette Fabray and chorus]
SWEET MUSIC (1931) (uncredited) (Music by Arthur Schwartz) [Instrumental]
NEW SUN IN THE SKY (1931) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Cyd Charisse] (dubbed by India Adams)
I GUESS I’LL HAVE TO CHANGE MY PLAN (1929) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Fred Astaire and Jack Buchanan]
LOUISIANA HAYRIDE (1932) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Nanette Fabray and chorus]
TRIPLETS (1937) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Performed by Fred Astaire, Nanette Fabray and Jack Buchanan]
THE GIRL HUNT (1953) (uncredited) (Music by Arthur Schwartz) (Lyrics by Howard Dietz) [Danced by Fred Astaire and Cyd Charisse]
FOR HE’S A JOLLY GOOD FELLOW (uncredited) (Traditional) [Sung by the cast]
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Blu-ray Image Quality – ‘THE BAND WAGON’ was a three-strip Technicolor production, the film has been restored by Warner Home Video facility using their patented "Ultra Resolution" process that digitally aligns the three layers to achieve a previously unprecedented degree of sharpness, stability and detail. The results, as seen on Warner Home Video 1080p encoded image Blu-ray is totally stupendous. ‘THE BAND WAGON’ complex and colourful imagery has depth and clarity to which even the fastidious Vincente Minnelli would have given his approval. The "Triplets" routine, which depends on solid blackness surrounding Fred Astaire, Nanette Fabray and Jack Buchanan to create the illusion, works perfectly because the blacks are excellent. Cyd Charisse's colourful wardrobe is shown to its best advantage, especially her red dress in the climactic "Girl Hunt Ballet." All in all this is a stunning Blu-ray image quality.
Blu-ray Audio Quality – ‘THE BAND WAGON’ was originally released in mono, but this brilliant Blu-ray disc features a 5.1 DTS-HD Master Audio remix is conservative and front-oriented, although the multi-channel format does open up the front soundstage considerably. The dialogue and lyrics are clearly rendered, and the quality of the recording is excellent. The orchestrations by Conrad Salinger, Skip Martin and Alexander Courage have been beautifully preserved, with a sweet tonal quality that is especially evident on the strings in "Dancing in the Dark." Again Warner Home Video have again done a really stunning excellent job and a sound that will not disappoint you.
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Blu-ray Special Features and Extras:
Audio Commentary by Liza Minnelli and Michael Feinstein: Here we get a jolly introduction with Liza Minnelli and Michael Feinstein and proclaim it is their all-time favourite movie and cannot remember how many times they have viewed ‘THE BAND WAGON,’ but this time they are viewing this re-mastered Blu-ray disc, and Liza Minnelli admits she could dance like Cyd Charisse. Michael Feinstein also informs us why he loves the film, because of the musical score and wall to wall music. Liza Minnelli reflects about one Christmas when Michael Feinstein gave her a framed picture of sheet music that was written by the Minnelli Brothers, which Liza Minnelli has cherished since getting it as a gift. Liza Minnelli also mentions that with another Christmas, got given a magic trick set as a present, but also at the same time her Father Vincente Minnelli and Liza Minnelli discovered Leroy Daniels the “Shoeshine Man” for real and thought he would be perfect in the arcade scene in the film ‘THE BAND WAGON,’ and Liza Minnelli also says that she actually watched the scene being shot with Leroy Daniels and Fred Astaire and felt they were perfect together for that part of the film. For me personally, I also felt he was totally perfect for the part in the film and should have gone onto bigger things, but it never materialised, as I feel he was a very professional dancer and definitely on par with Fred Astaire, but after filming his part in the film, sadly went back on the street to shine shoes, but where his stall was, had a big board showing all the photos of his performance in the film. Michael Feinstein l also informs us that the musical number “Shine On Your Shoes” was originally written in 1932 for the review “Flying Colors” and Vincente Minnelli did the research on the song and bought the rights to the song, so that it could appear in ‘The Band Wagon’ and most of the filming was done in one take. That machine in the arcade with the big question mark was shot 17 times until it finally worked perfectly. Michael Feinstein talks about Jack Buchanan and how he was a famous actor in England and when he arrived in America, appeared in several Broadway shows that were not a success, and was in his 1960’s when he made ‘THE BAND WAGON’ and sadly passed away a few years after the film was released, and because he made a big impact in the film, became a big star in America. One painful experience Jack Buchanan had while filming ‘THE BAND WAGON,’ where he had to have some serious dentist work because he had some terrible painful teeth problems and had to have three root canals work done and it was a very painful experience. Liza Minelli tells us about the famous song “That’s Entertainment” that was weaved into the film so cleverly and Michael Feinstein also reveals how the song was written in 30 minutes and why it was used in the part of the film, and now of course it has become so famous in the last 20 years and a true anthem to Show Business. But at the same time the film the song was well regarded, but not the classic song it is today. When we first see Cyd Charisse in the ballet sequence, we find out her real name was Tula Finklea and Cyd Charisse was her married name, and could not sing in the film, but the voice was dubbed over by Pat Michaels, but changed her name to something more exotic to India Adams, and was only 21 years of age at the time of filming. When Cyd Charisse and Fred Astaire was in the Central Park “Dancing In the Dark” scene [on the M-G-M backlot], and Liza Minelli informs us that she watched that scene being filmed and was a totally magical experience and Michael Feinstein also informs us that there was a musical instrument malfunction in that scene. Both comment on why director Vincente Minnelli was a great director, as he had the combination of his eye, especially for art, for the visual and his understanding of human nature and also his innate love for the music and lyrics, and Liza Minelli also tells us an astonishing story, that they made a plaster cast of Cyd Charisse’s legs and there you would find the when you walked into the M-G-M makeup department. By the way when you get to the “Louisiana Hayride” musical number at Chapter 9 at around 1:27.20 you will one of the backroom guys walk from right to left in the background, who probably thought they were only doing rehearsals and I also cannot understand why no one noticed this when they edited the film. With the “Triplets” number, Michael Feinstein mentions it was originally from a Broadway musical entitled “Between the Devil” which Jack Buchanan appeared in and both state that the “Triplets” scene is one of their favourite number from the film. And so we come to the end of the film and this totally awesome brilliant funny audio commentary and Liza Minnelli and Michael Feinstein are so joyous and exuberant together in their praise in watching this Blu-ray restoration masterpiece and you can tell they had so much fun giving us their comments and you also learn a lot more other wonderful information of the background to ‘THE BAND WAGON’ that I have not included in my comment on this audio commentary and I highly recommend this audio commentary and is a definite a 5 star rating and the highest praise ever for an audio commentary and please give it a whirl and you will get a massive amounts of joyous enjoyment while watching the film ‘THE BAND WAGON.’
Special Feature: TV Special: Get Aboard! ‘THE BAND WAGON’ [2005] [480i / 1080i] [1.37:1] [37:08] By 1952, the Arthur Freed unit at M-G-M was on a roll, creating hit after hit. But, the making of the Howard Deitz and Arthur Schwartz catalogue musical ‘THE BAND WAGON,’ everything that could go wrong and it did. Writer Betty Comden and Adolph Green crafted a witty screenplay about a struggling Broadway production, which was mirrored by the many difficulties encountered by the cast and crew making the picture, which has gone on to become a classic in the annals of movie musical history. Contributors include: Jonathan Schwartz [Son of Arthur Schwartz], Betty Comden, Adolph Green; Liza Minnelli [Vincente Minnelli's daughter], Michael Kidd [Choreographer], Nanette Fabray, Cyd Charisse; James Mitchell, Ava Astaire-McKenzie [Fred Astaire's daughter] and Alexander Courage.
Special Feature: TV Special: The Men Who Made the Movies: Vincente Minnelli [2005] [480i] [1.37:1] [58:24] Here we take an in depth look at the films and creative process of the director Vincente Minnelli. Much deeper than the breezy rapid fire clip approach of films like ‘That's Entertainment!’ Certainly the most coherent, technical and enjoyable interview with the master in the comfort of his home. Some of the clips were used very effectively later in the show “Minnelli On Minnelli,” but this one is much better. Vincente Minnelli directly addresses the camera and is well cut over clips from many of his amazing movies. He explores his own inspiration, decision making process and pays a loving and very generous tribute to the immense gifts of his former wife, Judy Garland. Humour, intelligence and the magic of moviemaking are all highlighted in this glimpse of The Man Who Made Those Wonderful Movies. Narrated by Cliff Robertson. This is Highly recommended.
Special Feature: Vintage Vitaphone Varieties Musical Short: Jack Buchanan with the Glee Quartet [1930] [480i] [1.37:1] [6:00] Here we get to view an early Vitaphone-Warner Bros. short film introduced as part of the Vitaphone Varieties series featuring Jack Buchanan who announces to the audience that Jack Buchanan will be replacing a member of the Glee Quartet though he has had little time to rehearse. Jack Buchanan doesn't know the lyrics or any of the coordinated movements and is generally out of sync with the others to the point of Jack Buchanan losing his shoes. This is a totally hilarious little film and as things progress, you really laugh out loud, especially eventually what happens to Jack Buchanan as the film progresses towards the final.
Special Feature: Vintage M-G-M Cartoon: The Three Little Pups [1953] [480i] [1.37:1] [6:44] Three Little Pups’ starts as a pastiche of the Disney classic ‘Three Little Pigs’ [1933] with dogs instead of pigs, and the Southern Wolf being a dogcatcher. However it changes into a typical M-G-M cartoon as soon as the wolf has failed to blow the smart little pup’s dog house down. The Southern Wolf then goes completely berserk on trying to break the house down only to freeze and says into the camera in a remarkably laid-back southern voice, provided by Daws Butler: “Well, that’s a well-built dog house, man.” The phlegmatic Southern Wolf is by all means a hilarious character to watch, and he plays surprisingly well against the equally deadpan Droopy. Add lots of gags, Tex Avery’s superb timing and spot on music by Scott Bradley, and we have a fine cartoon of excellent comedy. ‘Meow, man!’ Note the anti-television gags in this short. During the 1950s television made things very difficult and especially theatrical cartoons. Voice Cast: Daws Butler [Big Bad Dog Catcher / Narrator] (uncredited) and Bill Thompson [Droopy] (uncredited). Director: Tex Avery. Producers: Fred Quimby and William Hanna (uncredited). Screenplay: Heck Allen. Composer: Scott Bradley.
Theatrical Trailer [1953] [480i] [1.37:1] [3:12] This is a very well thought out Original Theatrical Trailer for the film ‘THE BAND WAGON’ and shows you how a good trailer should be presented.
Finally, ‘THE BAND WAGON’ is a drop of pure California Sunkist heaven, made at a time when Hollywood viewed itself as the custodians of sweetness and light, particularly, in their stellar commitment to musicals. As the tagline on the cover says, "Get aboard!" ‘THE BAND WAGON’ sums up one of director Vincente Minnelli's best films so far, and bowls us over with one show-stopping number after another, along with plenty of colour, style, and old-fashioned fun. The sublime pairing of Fred Astaire and Cyd Charisse makes this classic musical float on air, and combined with Warner Home Video top-notch Blu-ray presentation, which features an impeccable video transfer, lively audio, and a substantive spate of supplements, this disc earns its highest praise so far. Once seen, it can and will be treasured forever. Very Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Aficionado
Le Cinema Paradiso
United Kingdom
