THE CITY OF THE DEAD [1960 / 1963 / 2017] [Dual Format] [Blu-ray + DVD] [UK Release]
In Whitewood, Time Stands Still! The Thrills, the Chills of Witchcraft Today!
Christopher Lee was already a horror icon when he started filming ‘THE CITY OF THE DEAD’ in 1959. Having played Frankenstein’s Monster, Count Dracula and The Mummy for Hammer Films, this new picture would allow him to extend his range to the American Gothic and witchcraft in a small Massachusetts New England village.
Christopher Lee plays Professor Driscoll, an authority on the occult who persuades one of his students Nan Barlow [Venetia Stevenson] to research his hometown, Whitewood, once the site of witch burnings in the 17th century. Booking herself into the Raven’s Inn, she soon learns that devil worship among the locals hasn’t been consigned to the past.
Produced by future Amicus founders Milton Subotsky and Max Rosenberg, and beautifully shot by Desmond Dickinson (whose credits ranged from Laurence Olivier’s ‘Hamlet’ to ‘Horrors of the Black Museum’). ‘THE CITY OF THE DEAD’ is a wonderfully atmospheric and still shocking slice of horror that stands firmly alongside its Hammer Films contemporaries.
FILM FACT: The film marks the directorial debut of John Llewellyn Moxey. It was produced in the United Kingdom but set in America, and the British actors were required to speak with North American accents throughout. The script was originally written by George Baxt as a pilot for a television series starring Boris Karloff. The producer Milton Subotsky rewrote it to be longer, including a romantic subplot about the boyfriend who goes looking for Nan after she goes missing. Financing was obtained from television producer Hannah Weinstein, along with money from the Nottingham Forest Football Club. Production began on 12 October 1959 at Shepperton Studios with a budget of £45,000. Milton Subotsky was credited as the film's executive producer. The film was produced by Vulcan Productions, although because it was made by Subotsky and producing partner Max Rosenberg it has been considered the first of their Amicus Productions. Some dialogue was removed the American version of the film, including the following lines in the opening sequence which clarify the plot. They are retained in the original British version, which has been shown on Turner Classic Movies.
Cast: Dennis Lotis, Christopher Lee, Tom Naylor, Betta St. John, Venetia Stevenson, Valentine Dyall, Ann Beach, Norman Macowan, Fred Johnson, James Dyrenforth, Maxine Holden, William Abney, Andy Alston (uncredited), Ted Carroll (uncredited), Nickolas Grace (uncredited) and Anthony Lang (uncredited)
Director: John Llewellyn Moxey
Producers: Donald Taylor, Max Rosenberg (uncredited), Milton Subotsky and Seymour S. Dorner
Screenplay: George Baxt (screenplay) and Milton Subotsky (story)
Composer: Douglas Gamley and Ken Jones (jazz)
Cinematography: Desmond Dickinson, B.S.C. (Director of Photography)
Image Resolution: 1080p (Black-and-White)
Aspect Ratio: 1.66:1
Audio: English: 1.0 LPCM Mono Audio
2.0 Dolby Digital Stereo Audio
Subtitles: English SDH
Running Time: 78 minutes and 76 minutes
Region: Region B/2
Number of discs: 2
Studio: Britannia Films / British Lion Film / Cohen Film Collection / Arrow Video
Andrew’s Blu-ray Review: ‘THE CITY OF THE DEAD’ [1960] is an English production taking place in America. As Professor Alan Driscoll [Christopher Lee] is the catalyst of the story, teaching his student Nan Barlow [Venetia Stevenson] all about witchcraft. This inspires her to take a trip to the hamlet of Whitewood, home of a notorious tale of witches, the Devil, and a horrific curse. Not everyone supports the idea of going to such a suspicious sounding place, but Nan ignores her boyfriend Bill [Tom Naylor] and her brother Richard [Dennis Lotis], and off she goes to fall into inevitable trouble and doom.
The hamlet of Whitewood and its inhabitants are the real stars of ‘THE CITY OF THE DEAD,’ with the cinematography and score creating a spooky atmosphere that makes you feel dread from the moment Nan Barlow arrives. We soon find out why Driscoll’s so fascinated by Whitewood, and that Mrs. Newless [Patricia Jessel] at the local Ravens Inn isn’t quite what she seems. The City of the Dead does a fantastic job of creating and maintaining suspense, and while the audience remain suspicious of everything, it isn’t long before the truth comes out and things escalate quickly from there. City remains one of the best and most chilling examples of witchcraft depicted onscreen, and no doubt influenced many movies still to come, while itself following in the footsteps of H.P Lovecraft and Alfred Hitchcock in many ways. As we all know, Alfred Hitchcock has redefined cinema with ‘Psycho’ that same year, and many will note similarities between the two horror films it seems to be coincidence.
As expected, Christopher Lee steals the show amongst a middling cast. He has a naturally menacing presence that appears almost effortless and is thus the perfect actor for this type of movie. There’s a reason why actors like Lee, Vincent Price, Boris Karloff, and Peter Cushing are still appreciated for their contributions to the horror genre, and that’s a screen charisma that cannot be taught. Christopher Lee himself remained enthusiastic about ‘THE CITY OF THE DEAD’ later in life, and it’s not hard to see why. With a few surprising twists and a very creepy location, this is a slightly forgotten horror film that is well worth anyone’s time.
* * * * *
Blu-ray Image Quality – Arrow Video brings you this Blu-ray with an excellent brand new 4K restoration from the original negative, restored by the Cohen Film Collection and the BFI, presented here in a brilliant 1080p High Definition Black-and-White transfer respecting the original 1.66:1 aspect ratio showing more information at the bottom of the frame. The image looks totally sharp and definitely has extremely good image reference, nicely rendering the Gothic atmosphere of the film especially during its numerous spooky foggy shots in the small New England village. There is not any noticeable amount of grain and there was definitely was not any noticeable traces of dirt, scratches or other defects and looks solid in-motion even standing very close to the screen and especially when you get close ups of the actors faces. This is therefore a very good improvement on previous inferior DVD release. Please Note: Playback Region B/2: This will not play on most Blu-ray players sold in North America, Central America, South America, Japan, North Korea, South Korea, Taiwan, Hong Kong and Southeast Asia. Learn more about Blu-ray region specifications.
Blu-ray Audio Quality – Arrow Video once again bring us a really nice clear uncompressed 1.0 LPCM Mono Audio track with no apparent defects or distortions. This uncompressed audio track does a superior job with the film's sound requirements which are fairly extensive with plenty of good effects, screams, fire, and along with the occasional Gregorian chant. The film’s atmospheric music score by Douglas Gamley works really well with the film's encompassing spooky atmosphere of the darkness and fog effects.
* * * * *
Blu-ray Special Features and Extras:
High Definition Blu-ray [1080p] and Standard Definition DVD presentations
Brand new 4K restoration of the film from the original negative by the Cohen Film Collection and the BFI [British Film Institute]
High Definition Blu-ray [1080p] and Standard Definition DVD presentations of two versions of the film: ‘The City of the Dead’ and the alternative USA short cut of ‘Horror Hotel.’
Uncompressed 1.0 LPCM Mono Audio
Optional English subtitles for the deaf and hard of hearing
Special Feature: ‘HORROR HOTEL’ [1963 / 2017] [1080p] [1.66:1] [76:00] When ‘THE CITY OF THE DEAD’ was release in the USA in 1963, and it was presented in a shorter version and retitled ‘Horror Hotel.’ That version is now presented for the first time in 1080p High Definition.
Special Feature: Interview with Christopher Lee [2001] [480i] [1.37:1] [45:12] Here we are introduced to fan come genre critic Brad Stevens who informs us that he is doing an in-depth interview with the legendary actor Christopher Lee who talks extensively about his vast career in mainly the film industry, but has done some stage work and this interview is in conjunction with the release of the DVD of ‘The City of the Dead’ [2007]. Brad asks Christopher about all the legendary Hollywood luminaries he has worked and mentions Raoul Walsh, Nicholas Ray, Michael Powell and Orson Welles. Christopher feels Nicholas Ray was more into action films and the film was ‘Bitter Victory’ and was a 1957 black-and-white Franco-American international co-production film, but sadly Nicholas Ray lost one of his eye due to car accident. Christopher talks about Orson Welles and feels he was a genius and worked on Orson Welles unfinished film ‘Moby Dick’ [1955] where Orson Welles filmed approximately 75 minutes of this original 1955 film. Christopher Lee talks about the time he was often unemployed and how he was employed as a “Floorwalker” in the Simpsons of Piccadilly Department Store in London, but suddenly out of the blue was spotted and got to appear in a film which started his acting career in films. Christopher talks about a John Huston film he appeared in who was treated very nicely by the director, but was forewarned the director had a very intimidating reputation. Christopher is asked about the two famous films that really kicked started his rise to fame and they were ‘The Curse of Frankenstein’ and ‘Dracula’ that were directed by Terence Fisher [1904 – 1980] , but originally was a Film Editor which helped him shape his films and knew where to edit his films while actually directing. Christopher also gives great praise to Hammer Films and the team behind the scenes that were very professional, especially working on a tight budget. After the ‘Dracula’ film, Christopher was asked to do four more films for the American distributors and each time they phoned him he turned them down despite putting up his fee several notches, but eventually Christopher caves in as he was informed that by rejecting their offer it would put a lot of actors out of work and he did not want that on his conscious. Christopher is asked about his appearance in three Sherlock Holmes films, which was filmed in three different countries and he had a great time, but was annoyed in the first film his voice was dubbed. Christopher gives great praise towards three directors who he felt were very talented and they were Tim Burton, Peter Jackson and George Lucas, who he also felt they were the biggest, very clever, very imaginative and very helpful. Christopher also enjoyed working Stephen Spielberg, Joe Dante and John Landis, but the greatest director that Christopher worked for was Billy Wilder in the film ‘The Private Lives of Sherlock Holmes’ [1970] and felt great gratitude to of worked in that film. I could of listened to Christopher Lee for a lot longer and he is a very intelligent and fascinating person to listen and definitely gets a five star rating.
Special Feature: Behind the Scenes [2001] [1080i] [1.78:1] [16:37] This extra bonus is a very intimate amateur video interview in the offices of Salvation Films where we find Christopher autographing the VCI’s DVD release of ‘The City of the Dead,’ and Christopher talks about his latest DVD releases coming out of some of his latest films that people will want a signature on them and says that it will have to be a stamp of his signature, as it will just be too much to keep up with the demand, even though people will be upset it is not his physical signature, but the one negative aspect of this video session is the very unprofessional person working the video camera, as he just wouldn’t keep the camera steady, as it was all over the place and was so annoying.
Special Feature: Interview with John Llewellyn Moxey [2001] [480i] [1.37:1] [28:18] Here we get a very nice and personal introduction with director John Llewellyn Moxey in his home in Hollywood, where he informs us he is descended originally from Welsh ancestry, but was born in Argentina in February 1925. John Llewellyn Moxey’s family operated a coal and steel business out of South America at the time. Before entering the film industry, and John Llewellyn Moxey served in World War II and began his career as a film editor, and he subsequently went on to direct episodes of the British TV series “London Playhouse” and ‘The Adventures of Tugboat Annie.’ In 1960, John Llewellyn Moxey directed the film ‘The City of the Dead’ but also known as ‘Horror Hotel’ for the American release, which was his feature film directorial debut which came about via a friend in wanting to get involved with this black-and-white film and then went onto direct the film ‘Circus of Fear’ [1966]. One actor he really praises that appeared in the film was Norman Macowan who played the blind Reverend Russell, and especially of his wonderful face, and the way he warned people to leave town. The other film John Llewellyn Moxey directed that he was very proud of was ‘Circus of Fear’ which was the 1966 Black-and-white Thriller film that also starred Christopher Lee which was also partially shot at the Billy Smart's Circus, that he also feels helped to give its real genre horror atmosphere, especially working with real animals, but at the same time you had to treat the animals with respect. Although John Llewellyn Moxey likes making Horror films, the other types of films he has directed where the actors have to take their clothes off for a sex scenes, he found it not only difficult for him, but also the actors who get very self-conscious and embarrassed, even though you have to clear everyone except the cameraman and sound engineer. John Llewellyn Moxey talks extensively about the different style of making films or television drams in America and Great Britain, especially the techniques, lighting and shooting a film. When making ‘THE CITY OF THE DEAD,’ John Llewellyn Moxey gives very great praise to Desmond Dickinson, B.S.C. the director of photography, because he did a fantastic job in producing fantastic images in also making the film have a great atmospheric look. One thing John Llewellyn Moxey is so very grateful for, is that people now can view the newly restored ‘THE CITY OF THE DEAD’ with is full 78 minutes length, but could not fathom out why it was give the title of ‘Horror Hotel’ which he really hated, which unfortunately he had no control over, especially with certain scenes removed for the American market. So all in all, this was another really nice interview and again John came over as a very likeable and intelligent person and one I again could listen to hearing more of his anecdotes on the film industry and his lifetime involved with his career in films and television, and especially working in America and Great Britain and is well worth viewing.
Special Feature: Interview with Venetia Stevenson [2001] [480i] [1.37:1] [19:35] Here we get a rare interview with the actress Venetia Stevenson who informs us why this particular actress was picked to appear in the film ‘THE CITY OF THE DEAD,’ because Venetia Stevenson was invited our to England from Hollywood to appear on the BBCTV programme “Juke Box Jury” as one of the jury to pick a record that she felt would be a success on the British Hit Parade at the time and producers of the film saw her on that TV programme and approached her to be in the film ‘THE CITY OF THE DEAD.’ One thing Venetia Stevenson remembers very well was how cold it was on the film set with all the artificial fog produced. Another aspect Venetia Stevenson remembers very well is the long day shooting on the film set and especially the amount of screaming this actress had to perform, which at times was very hard to do. At one point Venetia Stevenson admits that she did not know who Christopher Lee was and one of her actor friends told her he was the British equivalent to Vincent Price, which is a typical ignorant attitude you would get from an not very intelligent American, as you cannot say such stupid ignorant statement, as the two actors are of a totally different style of acting and especially their personality, but one thing that stood out for Venetia Stevenson is the fact that Christopher Lee was a very nice polite gentleman. Venetia Stevenson recalls her role as Nan Barlow and suggests that the main things she brought to the film were especially her distinct American accent, and also enjoying her time being filmed at the Shepperton Studios in Surrey, but what has really surprised Venetia Stevenson with all the films she has appeared in that ‘THE CITY OF THE DEAD’ is the one that all the film buffs know about her appearance in the film and totally amazed how this film has stood the test of time, compared to all the other films Venetia Stevenson has appeared in, and what has struck Venetia Stevenson is that the 78 minute version look so beautiful black-and-white cinematography, especially by the award winning Desmond Dickinson, B.S.C. (Director of Photography). Venetia Stevenson talks about her marriage to Don Everly in 1962 and retired from acting and modelling and the couple had two daughters, Stacy and Erin Everly and a son, Edan Everly, but unfortunately got divorced from Don Everly in 1970 and has not remarried. But despite this tragic part of her life, Venetia Stevenson decided to move on and eventually went back to the film industry and became a reader and also did synopsis on the storyline, which eventually led to becoming a story editor, which eventually went onto the storyline department of the film industry, then moved on again to being a story editor. In later years, Venetia Stevenson became a script reader for Burt Reynolds's production company and, subsequently, became vice-president of Cinema Group, a production company that made several films in the 1980s and the work she is most proud of with this company was the Walter Hill's film ‘Southern Comfort’ [1981]. Venetia also wants to thank all the dedicated fans and people interested in this film made well over 40 years ago at the time of the video.
Trailer [1960] [1080p] [1.78:1] [1:31] This is the Original Theatrical Trailer for the film ‘THE CITY OF THE DEAD’ that is shown in glorious 1080p crisp black-and-white images, but what a shame the sound was not very clear, as I had to crank the sound up. WARNING: This film trailer includes the final shot of the film and giveaways, so don't watch this first.
Special Feature: Gallery [2017] [1080p] [1.78:1] Here you get to view 34 glorious stunning images that consist of promotional cinema posters for both films, publicity material, and rare promotional photographs. But near the end we get several images of some saucy promotional images of the actress Venetia Stevenson in a black corset.
Audio Commentary by film critic Jonathan Rigby, author of English Gothic: Classic Horror Cinema 1897-2015 and Christopher Lee: This Authorised Screen History: This Audio Commentary by film critic Jonathan Rigby was recorded exclusively for this Blu-ray release. Here we are introduced and welcomed by Jonathan Rigby to join him in viewing the film ‘THE CITY OF THE DEAD’ with him and where he reckons the film has a really terrific surprisingly good atmospheric gothic thriller we are about to watch with Jonathan, and he feels it is British horror in its halcyon days for that specific period in time when it was released in the cinema and Johnathan definitely has a lot to talk about in the next 78 minutes viewing time, and Jonathan warns us that hopefully you have already viewed the film, as he warns us that he will be revealing certain plot spoilers left, right and centre. As you would expect from Jonathan Rigby is that his audio commentary is packed with very insightful and very interesting facts and anecdotes on all aspects of the film from the choice of the specific shots, or the various actor’s previous roles in other films, to the reviews when it was released in cinema. Jonathan Rigby talks about Christopher Lee’s illustrious acting career that spanned nearly 70 years and also talks about Christopher Lee’s autobiography and in it he described the film ‘THE CITY OF THE DEAD’ as an American Gothic with a sort of H.P. Lovecraft flavour and Jonathan feels that Christopher Lee summed the film up so accurately, as well as a close proximity to a H.P. Lovecraft New England genre scenario. As we come to the end of the film and you see the credits roll up the screen, Jonathan Rigby points out that the actress Venetia Stevenson has a spelling mistake with the credits at the start of the film and there they spelt it as Venetia Stephenson. But finally, Jonathan Rigby says, “This is Jonathan Rigby wishing you all a very good foggy night,” especially in a very spooky fond farewell to an absolutely brilliant and informative audio commentary and definitely gets a five star rating from me.
Audio Commentary by actor Christopher Lee: Here we have the second audio commentary, where Christopher Lee introduces his personal anecdotes on this film and this audio commentary is from the original VCI DVD release, and features as always a very insightful and intelligent Christopher Lee conversation, and is moderated by Jay Slater and we are told that they are watching the DVD with the sound off. As usual, the famous actor displays an excellent memory, but sometimes cannot remember the names of some of the actors, and he also informs us of many anecdotes related to the film. Christopher Lee comments that he is very pleased to be viewing this DVD release and viewing it with the proper UK film title and of course the 78 minutes version, and informing us that they are not watching the horrible 76 minutes version and complains about what idiot genius decided to call the USA version ‘Horror Hotel.’ Christopher Lee comments also that his biggest challenge in appearing in this film was to be able to produce and American accent and found it extremely difficult to do. Christopher Lee also criticises these so called splatter horror films that he whole heartedly detests and says that to make a really good horror film is that you give the audiences what you don’t see, not what you do see and what is suggested and not everything in plain sight. Christopher Lee talks about Boris Karloff who he did three films with and use to live next door to him, and once Boris Karloff told Christopher Lee that you must leave it to the imagination of the audience, because they will always think of something far worse that what we are doing and Christopher feels this is absolutely true. Christopher Lee gives great praise to the director John Llewellyn Moxey who he found very easy to work with and also says he was a very clever director, as well as praising Desmond Dickinson, B.S.C. (Director of Photography) who made the black-and-white photography so brilliant and says the film could not be filmed in colour as it would of spoilt the whole of the evil atmospheric genre of the film. With the rest of the audio commentary with Christopher Lee just talks in general terms about the film industry, the very long hours shooting with some of his more later films, which in some cases he feels this is not good for an actor, as if you are very tired you are not going to give your best performance or especially for the director. We also get from Christopher lee lots of anecdotes about different actors and the different pay structures that are paid to certain actors and whether they are worth the money they get, and Christopher also asks what it means to be “typed cast.” The only annoying aspect of this audio commentary is that they are watching the DVD without any sound and sometimes Christopher Lee could not work out what was happening in the film and getting very confused with certain scenes.
Audio Commentary by director John Llewellyn Moxey: Here we have the third and final audio commentary by director John Llewellyn Moxey that is also taken from the previous VCI DVD release of the film, who welcomes us to his audio comments on this film and informs us that this was his first feature film and thanks the producers in allowing him to have confidence in letting direct this film and also informs us this film is something that he has never ever tackled on this scale before, and John also praises all the cast and crew who were involved in making this film and making his job very easy, but he wants to praise especially the wonderful and very inventive Desmond Dickinson, B.S.C. (Director of Photography) who produced some stunning and atmospheric black-and-white images. With this audio commentary John Llewellyn Moxey informs us of lots of very interesting stories and anecdotes about the film, and definitely shows a lot of passion and enthusiasm about the Horror cinema in general, but sometimes John Llewellyn Moxey regularly leaves lots of big gaps of various lengths between him imparting his information on different aspects of this film, especially as he directed the film, which I suppose is done on purpose in trying not to get too boring in repeating himself too much. One bit of interesting information he imparts about the wonderful Shepperton Studios in Surrey in England where he tells us it was a vast film studio with a history dating back to 1931, where they started doing Silent Films. We are also informed that all the houses and other buildings were built specially for the film and everything was filmed on the film set because of the vast space available to make it look real as though it was on location. But John gives greater praise to the actor Christopher Lee who he was perfect for his character in the film and handled the scenes he appeared in, in a very professional way, and John also gives great praise towards the actress Patricia Jessel who played Mrs. Newless who I remember was in the hilarious film ‘A Funny Thing Happened on the Way to the Forum’ [1966] and played the character Domina who was the wife of Michael Hordern who played Senex. When John was in the process of making the film, he did a vast amount of research into witchcraft and doing a lot of reading about the history in American of the place called Salem, which is a city on the north coast of Massachusetts above Boston. It's famous for its 1692 witch trials, during which several locals were executed for allegedly practicing witchcraft. But when the film came out John had loads of correspondence about the Gregorian Chants in the film and was asked if these chants were actually used in the actual witchcraft ceremonies in 1692, but John sadly had to let them down and inform that this never happened in real life, but informs us that he wanted to use these chants as he felt that it gave the film the right spooky atmosphere he wanted to achieve. Jonathan talks about the English actors in the film doing their best to produce an American accent and it is very acceptable and no one has complained about this situation and excepted it, especially as it was filmed in England to give the impression that it was all set in America, and even the critics gave it the thumbs up at the time of its release in the cinema. Jonathan talks about how other Directors who admire his style of directing and have actually copied his style of directing in their films and feels very flattered by this honour. Jonathan also comments on that he really likes working in the 1.66:1 aspect ratio format. Jonathan informs us about his time in Hollywood and meeting the wonderful and talented actor Boris Karloff who he got to know like a personal friend and feels that actors like Christopher Lee and Peter Cushing had at the time taken over the horror genre from Boris Karloff, and Jonathan also really liked the two British actors, especially when not filming as they were extremely funny, but when acting in front of the camera they were extremely professional actors. Jonathan also admires other Directors like John Carpenter and Clive Barker who have continued the horror film genre to great effect. As the credits roll up the screen, Jonathan states that the film was a very exciting one to make and also helped a great deal with the wonderful team behind him and points out sadly some of the people in the credits have now passed away. So ends this final audio commentary, to the point I now know every frame of the film, as I have now viewed this film four times, especially viewing the film first time round and plus of course with the three audio commentaries, so personally I can really only give a three star rating for this particular audio.
BONUS: FIRST PRESSING ONLY: Beautiful printed 32-page illustrated collector’s booklet featuring a new writing by Vic Pratt entitled DOOM SERVICE and the October 1997 writing by Tom Weaver entitled THE FRIGHT STALKER. Plus ABOUT THE TRANSFER; PRODUCTION CREDITS; SPECIAL THANKS, and some excellent black-and-white images from the film.
PLUS: Here you have a reversible sleeve featuring original and newly commissioned artwork by Graham Humphreys. Graham Humphreys is a British illustrator and visual artist best known for producing film posters. During the 1980s, Graham Humphreys worked with Palace Pictures, producing publicity material for films including ‘Dream Demon,’ ‘Basket Case,’ ‘The Evil Dead,’ ‘Evil Dead II,’ ‘Nightmare on Elm Street’ film series, ‘Phenomena’ and ‘Santa Sangre.’
Finally, Arrow Films new release offers two versions of the film, and ‘THE CITY OF THE DEAD’ being the most complete film, compared to the US version rebranded ‘Horror Hotel.’ Film critic Jonathan Rigby offers interesting insight throughout an audio commentary, and having written books on English Gothic and Christopher Lee he clearly knows what he is talking about. As a piece of horror history, it’s a horror film that everyone should see, especially in their lifetime. This film works for what it wants to accomplish: a chilling, moody, Gothic witch tale and is well worth seeking out for the program alone but it even more worth it for fans and neophytes alike for the myriad bonus features the Blu-ray release includes. Highly Recommended!
Andrew C. Miller – Your Ultimate No.1 Film Aficionado
Le Cinema Paradiso
United Kingdom
